The assignment focuses on William Faulkner and J. G. Ballard comparative analysis. Comparative analysis of William Faulkner and J. G. Ballard; specifically looking at the topology of their metaphors, while using the lens of Gregory Bateson’s theory of the double bind as a tool for articulating the internal structure of their metaphors (including similes, metonymy, etc.).
William Faulkner and J. G. Ballard comparative analysis
Beyond an Ecology of Mind: The Sublime Trauma of Ballard and Faulkner’s Metaphoric Landscape. Therefore, a Comparative analysis of William Faulkner and J. G. Ballard; specifically looking at the topology of their metaphors, while using the lens of Gregory Bateson’s theory of the double bind as a tool for articulating the internal structure of their metaphors (including similes, metonymy, etc.). So, Russian Formalist notions of fabula and syuzhet are useful in unpicking this narratological structure, as a more detailed version of the distinction between tenor and vehicle within metaphoric language.
So, the main works from these authors are (bearing in mind, that it’s already quite expansive, so the set of works relatively limited, though can be expanded where necessary): As I Lay Dying, All the Dead Pilots, The Concrete Island, and The Enormous Space. had decided on one novel and one short story from each author, though, again, this limited selection can expanded if seen as necessary. Along with the literary works, another primary source is Gregory Bateson’s Steps to an Ecology of Mind.
William Faulkner and J. G. Ballard comparative analysis
The main notion, as reflected in the type of metaphoric structure used, is that of inversions across chiastic structures leading to a sense of the sublime, by way of evoking some of the Otherness and alterity of individuals experiencing their own consciousness. In order to capture this, the Burkean sublime, along with Freudian sublimation (and their shared etymological history) form central aspects – that is to say, the sublime trauma of self-hood sublimated into the complete dissolution and reconstitution of self, by way folding the abstract and concrete into one another, where such psychological upheaval is in itself a form of trauma. Lastly, as a nod to Bateson’s notion of ‘metalogues’ (DEFINITION: “A metalogue is a conversation about some problematic subject.
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