This is a Art Cinema Critical Essay which entails Solaris (Andrei Tarkovsky, 1972). So, discuss the aesthetic features of camp and relate them to a film or films of your choice. -How are new forms of documentary challenging the conventions of the genre?

Art Cinema Critical Essay-Solaris (Andrei Tarkovsky, 1972)

Please answer ONE of the following questions. You should make sure you draw on academic writing and close textual analysis in your essay, and makes sure to use the films seen in the module unless stated otherwise in the question. List of films from the module: Wendy and Lucy (Kelly Reichardt, 2008), Solaris (Andrei Tarkovsky, 1972), Still Life (Jia Zhangke, 2006), Caché (Michael Haneke, 2005).  The Arbor (Clio Barnard, 2010), Heartbeats (Xavier Dolan, 2010), Female Trouble (John Waters, 1974), Self Made (Shira Geffen, 2013), Festen (Thomas Vinterberg, 1998), Trouble Every Day (Claire Denis, 2001). Using one or two films as examples.  Discuss the ways in which cinematic space can be used unconventionally.

 Discuss the relationship between the personal/private and the social/political in either Caché or Self Made. You may also choose to compare and contrast these two films. Discuss some of the ways in which slow cinema responds to contemporary society.

Art Cinema Critical Essay-Solaris (Andrei Tarkovsky, 1972)

You should draw attention to at least two films in your answer (these do not need to be films discussed in the module but they should have a clear relation to slow cinema). Asbjørn Grønstad has argued: “If there is a quintessential film theorist for the slow cinema aesthetic, it must surely be André Bazin.” . Discuss this  statement with reference to a film or films of your choice. You should draw on some of Bazin’s key writings in your essay. Michele Aaron has argued that ‘defiance’ is the unifying theme of New Queer Cinema. Assess the theme of defiance in a queer film of your choice. Discuss the aesthetic features of camp and relate them to a film or films of your choice. -How are new forms of documentary challenging the conventions of the genre? You should make reference to at least two films in your answer. 

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